
This book was the May 2007 selection for the International Fiction Book Club of New Orleans, and I recommended it. The reason that I have been having writer’s block is that I have been thinking too hard about this book. I have read it only once, and I know that I have to re-read it at least two more times to make some sense out of it.
Basically, there are SIX separate stories in this novel, told in SIX completely voices. The writing in each section is so different, that anyone would think it’s a short story collection by seven different authors. However, only author is responsible for this oeuvre.
And, it’s amazing.
The common thread that holds the novel together are references to a journal written by the first character that we meet and a birthmark, a sign of reincarnation in some of the characters.
Adam Ewing, is an American notary who is alive in the time before the Civil War and is traveling on a British ship from the Pacific Rim back to the western coast of the U.S. He gets upset on how the British treat the aborigines in Australia and other peoples on the way back to the U.S. The British point out to him that there is still slavery in the U.S., so why is does he believe that he is better than the British?
Adam’s story is told in the form of a diary. The language is a little plodding, similar to 19th century writings.
The second story is about Robert Frobisher, a brillant English composer in the 1930s who needs to make some money. He travels to Holland to work with a famous composer. He tells his story via letters to Sixsmith, his only friend in England. The letters are filled with humor, both real and self-deprecating. Robert comes across Adam’s journal and does something with it. His lover is fascinated with his birthmark on his shoulder.
In the 1980s, we meet Luisa Rey, a California tabloid journalist who might want to write serious articles, like her father. She learns of secret involving the local energy plant, that could make her career. Rufus Sixsmith gives her some vital information.
Luisa has a strange birthmark on her shoulder. She is fascinated by a rare recording by Robert Frobisher and pays a fortune for the record, The Cloud Atlas Sextet.
Luisa’s story is written in short chapters and reads like a pulpy mystery novel.
We meet Timothy Cavendish, an English publisher who is running away from loan sharks. His train trip from London to Hull is pure slapstick; anything that could go wrong did go wrong.
He had published a notary’s journal about a 19th century trip in the Pacific Ocean and enjoyed reading the Luisa Rey mystery novels.
The next section is an interview between a rebellious clone called Sonmi-451 and an Archivist. It takes place in the far future in Korea; Europe no longer exists. Sonmi’s role in life was to serve food to “purebloods”, or regular humans. She somehow exceeds her genetic programming and realizes that her life was not her own.
Sonmi has a birthmark on her shoulder. She learns to read and analyze works. She writes a decree about human freedoms.
Sonmi lives in a world where product names have become verbs or nouns, more pronounced than it is now. Tennis shoes are NIKES. A dvd player is SONY. To call another person on the phone is the same as being SONYED. The English language is shortened. You xit a building; you xplain a concept.
This is sci-fi at its best. The world that is described here seems real.
The last story is told by Zachary in Hawaii. I must confess that I skimmed over this section. I didn’t like the monologue writing. It was also written in a form of English that is more of a dialect. It takes place further on in the future than Sonmi’s story. However, I did see that the people here worship a being called Sonmi.
The novel then goes in reverse to finish all the stories. Sonmi, Timothy, Luisa, Robert, and Adam.
The book group was wowed by this novel. We all felt that we need to re-read it to catch other deals. One of the members did an internet search for “Discussions of Cloud Atlas” to try to understand some of the points.
The title of the book can even take up time in a discussion. What exactly is a Cloud Atlas? How can one map a cloud system, if it’s ethereal and moving? Is it futile?
Many of us enjoyed reading Sonmi’s story, because not only were there classic sci-fi references but also to movies. The classics are 451 (Bradbury’s story), Brave New World (big Brother government), Solyent Green, the classic movie, and many others. I also felt it connected to Margaret Atwood’s Onyx, which was also written about the same time as Cloud Atlas.
Others in the group loved the section about Zachary because of the rich language and its message.
I pointed out that the group has unwittingly selected books about reincarnation and the future, like the Years of Rice and Salt. And there seemed to be a convergence of cloning in various medias for me the previous week.
We wondered whether reading the book by reading each character’s story and not in the order it was written would take anything away from the work? One member said NO. She read the book by character, because she was running out of time but enjoyed it nevertheless. She loved how Mitchell played with the language. She was able to follow the discussion and suggested that if we re-read it, that we should follow her way.
Despite not liking some of the characters, we felt that the language and the narrative was strong enough to overcome the dislike of the character.
There is still more to delve into for this work. I don’t feel that this review has done it enough justice. I will blog about it again, after another reading.